CTL2 · Class 1

A viewing position, a picture maker, and a screen

The idea at the heart of this classPictures

Pictures A large pale disc, split down the middle, is the space a picture is held in. Three rings of petals, lilac, blue and salmon, fill it as the room around a small round picture at its centre: a blue sky, a gold sun, a rose and a green hill and a cream path. First the picture swells until it fills the whole space, the petals folding away under it, and a gold rim with four studs holds it rigid. It turns like a coin on the middle line, the line lighting at the moment it is edge on, and opens as its mirror, a plum sky with a pale moon over dark hills, held rigid the same. Next the locked picture holds one gold crescent and a small drink, and four plainer shapes come to its rim, are turned back and dim outside it. Then the same still picture shrinks back, the petals open round it and breathe, a glow lifts behind it, its sun pulses and light runs round the petals. Next a partner sits at the centre and the rings are the partner's layers: the blue one lights, a gold line runs round it, and a pink rose is set on it; then the rose opens wider and a small picture with a gold rim appears in it. Last, a gold machine at the lower left sends an opaque beam through a small lilac seat onto the picture, now the screen. the machine the seat the screen

This class’s practice

Projector, seat and screen

5 steps, playing in turn. Choose a number to hold one.

Use the movie-theater frame: the picture-making machine is the projector, attention in the center of the head is the seat, and the screen holds the picture.

CTL2 Class 1, class recording, 51:36 to 1:04:04

Place the machine right behind the center of the head, spanning both brain hemispheres, and keep the screen out in front within the aura.

CTL2 Class 1, class recording, 51:36 to 1:04:04

Ground the screen to the earth and lightly run gold through it to clear it.

CTL2 Class 1, class recording, 51:36 to 1:04:04

A light grounding cord at the back of the head drains the machine, then the gold sun refills it with personal life force.

CTL2 Class 1, class recording, 51:36 to 1:04:04

Give the screen a visible border, while letting the view have depth like a window.

CTL2 Class 1, class recording, 1:04:04 to 1:17:57

All 5 steps: Projector, seat and screen
  1. IUse the movie-theater frame: the picture-making machine is the projector, attention in the center of the head is the seat, and the screen holds the picture.CTL2 Class 1, class recording, 51:36 to 1:04:04
  2. IIPlace the machine right behind the center of the head, spanning both brain hemispheres, and keep the screen out in front within the aura.CTL2 Class 1, class recording, 51:36 to 1:04:04
  3. IIIGround the screen to the earth and lightly run gold through it to clear it.CTL2 Class 1, class recording, 51:36 to 1:04:04
  4. IVA light grounding cord at the back of the head drains the machine, then the gold sun refills it with personal life force.CTL2 Class 1, class recording, 51:36 to 1:04:04
  5. VGive the screen a visible border, while letting the view have depth like a window.CTL2 Class 1, class recording, 1:04:04 to 1:17:57

CTL2 Class 1, class recording, 51:36 to 1:17:57

A picture with room for living change, and one with none.Locked: it fills its space Room to change: petals open round it Colors only tell the parts apart. The plum of the awful picture marks it as the mirror; no color here is good or bad.
Room to changeStill, and aliveA still image can still be charged.
A perfect pictureNothing may changeIdeal or awful, it leaves no room for another outcome.

The machine and screen picture the working model, not brain anatomy. The figure separates a perfect picture from a still picture with room around it.

clairvoyant seeing is like a movie theater: a picture-making machine projects, your attention sits in the center of your head, and the pictures appear on a screen in front.

Begin from a changed life

Level two begins after clairvoyance has already changed ordinary life. The first change is not a new symbol. It is the fact that rooms, friendships, habits and old pictures no longer feel the same. A room can feel wrong after energy starts moving. A friend group can fall away. A body can notice how much it was handling once daily meditation stops for a week.

Clairvoyance is treated here as present-time movement. Old pictures can keep a person living in a past environment. When pictures update, life can feel lighter because the body is no longer trying to make an old arrangement real. That is why practice is not only for readings. It is how the body keeps up with the life that is changing around it.

The work now asks for more ownership. The pace is faster, and the material is more personal. Daily meditation, reading practice and clear communication keep the tools usable. The point is to make the training yours: to get what you came for, not to fit someone else's picture of what clairvoyance should look like.

Set the body and compare growth

Ideas hereAura and layersCertaintyChakrasEarth and cosmic energyGoldGroundingGrowth periodsRosesTrance as a class setting

The opening reset starts with the body, not with a picture. Find the room first if the body feels hard to locate. Then notice the breath, bones, muscles and organs. The body may be tired, hungry, excited, dehydrated, tense or affected by food. These ordinary signals are not separate from practice. They are part of the space being read.

Use a fresh grounding cord for the current body:

  1. Blow up old grounding cords.
  2. Create a new cord from the first chakra to the center of the earth.
  3. Tell the bones, muscles and organs that now is a time to release.
  4. Set the downward flow at a vibration that feels safe.
  5. Clear the center of the head so attention can sit there comfortably.

Then bring the earth in through the feet. Open the feet chakras and notice anything that has come between you and the earth: work, another person, someone else's idea of how you should connect, or a desire to use your access. Create a cord from each foot chakra deep into the earth and draw up a neutral, rich earth energy through the legs. Let it wash old pictures out of the legs and give the first chakra a present-time healing.

Add cosmic energy through the crown and let it run down the back channels, through the first chakra, up the front channels, through the arms and out the hands. Earth and cosmic energy are neutral inputs. The gold sun is different: it fills the places where your own life force has been missing. Set protection roses around the aura, ground the room and fill the space with the gold sun.

The growth comparison uses three roses:

  1. A rose for your energy at the beginning of level one.
  2. A rose for your energy at the end of level one.
  3. A rose for your energy today.

Look at color, possibility and difference. Then pull your life force out of all three roses and blow them up. The comparison is not nostalgia. It shows the body that growth has happened, then releases the pictures so attention can enter trance and read the current growth period.

A partner reading of growth periods stays light. Have certainty in what is seen, check the lower three chakras if edginess appears, and trust that the person can hear you. Your responsibility is to communicate from the picture, not to carry the other person's growth.

Neutrality has a standpoint

Ideas hereAura and layersChakrasGrowth periodsKnowingnessNeutrality

Neutrality is not the claim that there is no angle. It is also not a rule that you must be neutral every moment. Judgment and discernment help the body survive. They help you know what you like, what you do not like, where to go and what to avoid. A perfect picture of always being neutral would become another trap.

The practical question is where you are reading from. The same aura looks different from different chakras. From the first chakra, the aura may be read through threat and survival. From the second, emotion and judgment may be louder. From the third, the accent may be doing, power, falling behind or proving competence. From the fourth, the question of oneness can make separation feel charged. The fifth reads through communication and expression. The seventh reads through knowingness.

Return to the sixth chakra between these visits. The sixth is the first body place where non-judgment can be experienced. Non-judgment does not mean no feeling, no sensation or no participation. It means not judging the experience while it is happening. You can be in a growth period, feel what it brings up, and still avoid being owned or controlled by it.

Running energy supports this because it gives the body enough movement for attention to stay in the center of the head. From there, the experience can be seen without making the body into the only viewpoint.

Separate the projector from the seat and screen

Ideas hereGroundingPictures

Clairvoyant seeing is taught here through a movie theater image. The picture-making machine is the projector. Attention in the center of the head is the person sitting in the seat. The screen is where the pictures appear in front of you.

The picture-making machine sits right behind the center of the head. It is larger than that center and spans both hemispheres of the brain. It generates the clairvoyant pictures. Information comes through it, passes through the center of the head and appears on the screen.

Set up the screen first:

  1. Sit in the center of the head.
  2. Notice the screen in front of you and its size.
  3. Set a standard for it.
  4. Ground the screen to the earth.
  5. Drain off old pictures, other people's influence and any energy stuck to it.
  6. Lightly run gold through the screen to clear resistance.

Then look at the picture-making machine. It may look dark, unconscious, old, plantlike, mechanical or unfamiliar. Give the back of the head and the machine a light grounding cord. Let old whacks, old pictures and foreign energy drain. If the body feels strange or nauseated, breathe and keep the release moving. Then fill the machine with gold-sun life force.

Parental energy is given as a common place to look. A mother may have wanted a child safely in a group. A father may have wanted not to be seen. These are not verdicts about parents. They are examples of how other people's fear, protection or discomfort can land on the ability to see. Clearing the machine is ownership, not blame.

Ownership is different from blame or control

Ideas hereAura and layersChakrasOwnershipPictures

The machine and the screen may show how much energy has been handled for other people. A screen may sit too close. The machine may look dark or old. Work may keep interrupting the picture. These details matter because vision shows where life force has been going.

Seeing clearly gives choice. If you can see where energy is, you can choose where to put life force and where not to feed it. That is the power being developed here: not power over someone else, but personal power in your own space.

The screen can have depth. It does not need to be flat. It does need a border, like a window. The world is larger than the window, but the window gives a bounded view. That makes the seeing manageable without denying that more exists outside the frame.

A still picture is not automatically a perfect picture. The issue is not whether the image moves. The issue is whether there is room for movement. A picture with no room to move may be a perfect picture, but not every still image is one.

The screen sits in front of you, in the aura, with space between it and the center of the head. The picture-making machine is behind the sixth chakra, not part of it. What you see of the machine is still a picture, so its appearance can change. The important question is not whether it looks neutral enough. The important question is what it is running on. It needs your life force as fuel, not someone else's filters.

Work on the screen while remaining here

Ideas hereAura and layersChakrasGoldNeutralityPicturesRoses

From this point, readings and meditations use the screen. Stay in the center of the head and watch the work happen in front of you.

Clear uncertainty this way:

  1. Create a rose on the screen.
  2. Let it gather uncertainty from the aura, body and space.
  3. Watch where the uncertainty comes from: heart, fifth chakra, knees, back of aura, a particular layer or another place.
  4. Send the rose out of the space and blow it up.

Then do the same with guilt. Guilt may collect around having your own space, being neutral, being amused when others are not, caring for the body, or no longer proving that you are safe for everyone else. Other people's fear pictures can make your space feel like a problem. The rose gathers the guilt so it can leave.

A gold rose can be sent to parental figures with a simple communication: thank you, I have it from here. This is not submission and not rejection. It releases the need to wait for permission to grow. Then watch the gold sun fill the body, aura and picture-making machine. Notice where relief begins, where stress has worn the space down, and how life force affects the machine when it is yours.

Finish by creating a rose for the tone you want for the rest of the day. It may be turquoise, violet, crimson, tangerine, amusement, peace, neutrality or mischief. Set that vibration in the crown and watch the lower chakras adjust beneath it.

Supplement: see preparation instead of looking down

Ideas hereAura and layersChakrasEarth and cosmic energyGroundingNeutralityPicturesRosesTrance as a class setting

The supplement repeats the same basic preparation but moves the seeing fully onto the screen. Ground in present time, run earth and cosmic energies, and watch the aura and channels in front of you instead of looking down into the body.

Use the screen to see preparation:

  1. Dust off or clear the screen.
  2. Watch cosmic energy run down the back channels.
  3. Look at the aura from non-judgment.
  4. Adjust the chakras for trance while watching the effect on the screen.
  5. Notice the energies handled during the week and clear them with creating and destroying roses.
  6. Place protection roses around the aura according to what the screen shows.

This changes the observer's position. Protection, grounding and clearing are still the same tools, but the work is viewed from the center of the head on the screen. That gives more neutrality and keeps attention from trying to inspect the back of the head by effort.

Supplement: clear resistance and refill

Ideas hereAura and layersGoldGroundingPictures

The picture-making machine can be healed by looking at its image on the screen. Say hello to it there and notice what colors, resistance or body responses appear. Then ask what percentage of the energy in it is actually yours. A small number is not a failure. The machine is powerful, so it attracts and holds energy that does not belong to it.

Clear it this way:

  1. Give the picture-making machine its own grounding cord.
  2. Let the energy that is not yours drain through that cord.
  3. Bring the gold sun closer so the aura can lightly refill while the release is happening.
  4. Run neutral gold back and forth through the machine.
  5. Let the neutral gold clear resistance to seeing clearly, seeing on your terms and having your space.
  6. Allow old, crusty, charged or blackened energy to leave through the grounding cord.

Some resistance has been there since childhood. It may have been meant to keep the body safe inside a household where one vision was allowed and other visions had to fit inside it. That protection can stop being useful. Neutral gold clears other people's resistance from the ability to see.

End the healing, flush the body and space with neutral earth and cosmic energies, and create a present-time picture of yourself as a clairvoyant. If the picture is validating, it can be kept. Then blow up the viewed material, fill all the way with gold-sun life force, and return.

Recording notes

Back to the lesson

Recordings

  • CTL2_01_Class_PictureMakingMachineAndFrame.mp3
  • CTL2_01_Spmt_HealingPictureMakingMachine.mp3 (supplement)

The times show where each part of this lesson comes from in the class recording. Each recording file starts at 0:00.

Where each section comes from

Wording and meaning

  • Class include 'no longer... will be working with this screen' amid repeated instructions to use it: likely unstable wording.
  • Anatomical location, parental mechanisms and reported bodily effects have not been independently validated.

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